Hulk Hogan: Real American (2026) * * * 1/2

 

Featuring:  Hulk Hogan, Linda Hogan, Jesse Ventura, Kevin Nash, Nick Hogan, Vince McMahon (archive and voice), Jake Roberts, Jimmy Hart, Bret Hart, Donald Trump, Paul Levesque, Eric Bischoff 

Hulk Hogan passed away last summer and it still feels odd saying that.  As a wrestling fan growing up in the 80's, Hulk Hogan was bigger than life and even wrestling itself.  He ventured into television and movies, but once his WWF run was finished, he reinvented himself and made WCW a ratings juggernaut for several years.  His later years were filled with controversy, but even his harshest critics can't deny his impact.  

Hulk Hogan: Real American to its credit doesn't shy away from controversy.  It isn't hagiography.  Bret "Hitman" Hart didn't have many kind things to say, especially after a perceived snub backstage at Wrestlemania IX.  Jesse Ventura, the former pro wrestler and governor of Minnesota, has been on record countless times expressing his dislike for Hogan.  However, it is heartening to see that perhaps the two did reconcile enough for Ventura to participate in the documentary.  The makers of Real American had full access to Hogan in the months before his passing.  Hogan revealed the warts and all concerning his career and his home life.  His ex-wife Linda, with whom he had a messy public divorce, isn't afraid to be honest either.  She may even still love him.  

The travel of any WWF wrestler in the 80's and 90's was difficult enough.  For the WWF Champion and top draw like Hogan, you had to mix in public appearances, television, and then movie shoots.  One TV appearance on Richard Belzer's talk show days before Wrestlemania ended in a lawsuit and Hogan placed Belzer in a front face lock and then allowed him to drop unconscious to the floor.  Hogan's later controversies involving his divorce, a sex tape, and another recording in which Hogan used racial slurs made him a pariah in the eyes of some fans.  In his last televised appearance on WWE Raw in January 2026, Hogan was booed out of the building by the California crowd.  Why?  Some say it was because of his unapologetic support of President Donald Trump (who also makes an appearance as an interview subject-rare for a sitting president) at the 2024 Republican National Convention.  Others say the stories of Hogan politicking in the locker room and his later ordeals turned off his fans.  Six months later, Hogan died from cardiac arrest and you wonder how many of those fans who booed wished they could take it back.

The documentary itself is four parts, enough to cover Hogan warts and all.  It flows well and it isn't afraid to be honest.  Whether he was cheered or jeered, many would say Hogan earned all of it.  There was the famed Gawker trial in which Hogan sued the online magazine for the unauthorized publication of the leaked sex video.  Hogan differentiated himself between his onscreen persona and Terry Bollea (his real name).  You would think this would be a ludicrous defense, but even his ex-wife didn't know where Terry ended and Hulk began.  Even Hogan himself might not have been able to tell anymore. 

The Devil Wears Prada 2 (2026) * * *

 

Directed by:  David Frankel

Starring:  Meryl Streep, Anne Hathaway, Stanley Tucci, Emily Blunt, Justin Theroux, Kenneth Branagh, BJ Novak, Lucy Liu, Patrick Brammall, Simone Ashley

As far as sequels no one asked for go: The Devil Wears Prada 2 is quite entertaining.  It's fun to see this group together again and the sequel even has something to say about today's media.  Runway magazine in 2006 carried a great deal of influence in the fashion world and its editor-in-chief, the all-powerful Miranda Priestly (Streep) was the final word in whether a designer would become famous or infamous.  She wielded such power that no one in the building would dare share an elevator with her.  

In 2026, Runway is now mostly online with very few physical copies available and the office atmosphere is such that Miranda can no longer throw her coat at her assistants and has to watch the phrases she uses.  It's amusing to see Miranda hanging up her own coat and afterward looking drained.  Why is she hanging up her own coat?  Because of HR complaints.  How Miranda lasted this long in a changing environment is beyond anyone's comprehension, but one thing we know about her:  She is a survivor. She can adapt.  

The moral center of the Devil Wears Prada universe remains Andy Sachs (Hathaway), who begins the movie as a journalist who is fired via text (as does the rest of the magazine's staff) as she's receiving an award for Journalist of the Year.  Her expletive-laced rant goes viral, and soon she's back working at Runway as a features editor much to Miranda's displeasure.  Miranda at first doesn't remember Andy and has to be gently reminded by her ever-loyal right-hand Nigel (Tucci-who is great as always) that "she was one of the Emilys" (code name for the assistants at which Miranda would toss her coat and purse).

Runway is in dire straits due to the ever-changing media landscape and a recent story linking Runway to sweat shops.  Miranda's boss Ira soon passes away, and his son (Novak) wants to sell the conglomerate to billionaire Benji (Theroux), who is the new beau of Emily Charlton (Blunt), who now works for Dior and still harbors resentments towards Miranda, Andy, and Runway.  Emily would love nothing more than to take over Runway.  When everyone finds themselves in Milan, games are afoot to determine the future of Runway and therefore Miranda, Nigel, and Andy.

The Devil Wears Prada 2 isn't as good as its predecessor, but it has charms of its own.  Miranda is allowed to have more emotions and dimensions (although her performance was wickedly funny in the first film).  The subplots involving Runway's fate bring due intrigue, and although The Devil Wears Prada 2 ends more or less happily, you know in the real world it wouldn't be so tidy.  

Your Friends & Neighbors (2025) * *

 

Starring:  Jon Hamm, Amanda Peet, Corbin Bernsen, Mark Tallman, Aimee Carrero, Olivia Munn, Hoon Lee, Lena Hall

One of the funniest (and that's a short list) jokes of the more recent Oscar telecasts was host Amy Schumer (I believe it was her) stating how she watched The Power of the Dog three times and is still only halfway through it.  You now know how watching the first season of Your Friends & Neighbors feels.  I'm nine episodes in and what a slog it has been.  

The series starts out promisingly enough with Andrew "Coop" Cooper (Hamm) playing a familiar type as a well-off suburbanite who works for a Manhattan hedge fund that finds himself ousted on trumped-up sexual harassment charges after sleeping with a colleague.  He needs this like a hole in the head.  In order to prevent further litigation against him, he agrees to a two-year non-compete clause so finding another job in the financial world is not happening.  His wife Mel (Peet) cheated on him with his best friend Nick (Tallman) well before his tryst with his subordinate, so his marriage was already in shambles.

Coop finds he wants to maintain his lifestyle and the respect of his children, so while attending a party at one of this friend's homes, he discovers the jewelry his friend leaves lying around upstairs and how easy it is for him to sneak up there and lift some of the items.  Surely a guy who has a huge collection of watches won't miss one measly watch.  This is the Raising Arizona logic that applies to watches instead of kids. Coop steals the jewelry from all of the homes which magically do not have their security alarms engaged and tries to fence them at a local pawn shop which quickly catches on that Coop doesn't own these fancy, expensive items.

Coop spends the remainder of the series evading the law, being charged with the murder of a former friend, and steering clear of further trouble.  Jon Hamm can play smooth in his sleep, and Coop is sympathetic despite being a criminal.  But, the tension which we would expect would arise from such events doesn't exist.  Your Friends & Neighbors drags to the point that getting through the first season will be a monumental task, and maybe too big an ask from yours truly. 

Big Mistakes (2026) * * *

 

(Netflix series)

Starring:  Dan Levy, Taylor Ortega, Laurie Metcalf, Elizabeth Perkins, Abby Quinn, Boran Kuzum, Mark Ivanir

Big Mistakes, like Ozark, connects its ordinary people with ruthless mobsters and find themselves unable to break free.  It's a comedy, though, and that takes the edge off somewhat, but these folks are trapped in a criminal underworld following a petty crime against the sort of people who don't like to be stolen from.  

In Ozark, Jason Bateman's Marty Byrde stole money from a cartel.  His penance in exchange for his life was to work for the cartel laundering their money through various means in the Ozark Mountains.  If he can't do it, the penalty is death, although it was amazing how often Marty and his family were able to avoid this consequence.  In Big Mistakes, Morgan (Ortega) steals a necklace from a store operated by Yusuf (Kuzum) she gives to her dying grandmother to wear at her funeral.  Yusuf soon shows up with a gun demanding the necklace back.  Morgan's brother Nicky (Levy), who is the pastor at the local church, assists Morgan so they don't wind up dead.  Morgan and Nicky are unable to steal the necklace from the grandmother's body prior to the casket being buried, so it looks like a night of shoveling for the two bickering siblings.

They retrieve the necklace, return it to Yusuf's boss Ivan (Ivanir), and expect that their servitude to the mob is complete.  Not so fast.  They are assigned burner phones and are expected to be available at a moment's notice for whatever job the mob needs them to do.  Nicky is far more panicked about this than Morgan, mostly because he's a pastor and supposed to be a man of God.  How would it look for the pastor to be in the mob's pocket?  You would think a comic tone would undermine the danger Nicky and Morgan, plus their mother Linda (Metcalf) who is running for town council, are in, but the stakes still remain pretty high.  

Big Mistakes is briskly paced and sometimes slapstick, with Levy having a ball nearly hyperventilating at the trouble he finds himself in.  Morgan appears to like this type of drama as an antidote to her otherwise boring life.  Levy and Ortega play well off each other.  While it takes an episode or two to catch its rhythm, Big Mistakes turns out to have enough twists to be worth the sometimes bumpy ride. 

Michael (2026) * *

 

Directed by:  Antoine Fuqua

Starring:  Jafaar Jackson, Colman Domingo, Miles Teller, Nia Long, Juliano Krue Valdi, Larenz Tate

We are more than aware of Michael Jackson's controversial history which came to light in the 1990's and dogged him until his death in 2009.  He was only fifty when he died and left enough for ten legacies.  Michael only brings his story up to 1988 with a promise of his story continuing.  Will the next installment cover the allegations of sexual molestation and his later trial?  If it doesn't, then the entire story is dishonest and guilty of the sin of omission.  It would be like a film encompassing World War II which doesn't mention the Nazis.  

I'm reviewing what's in Michael, not what isn't in it.  The movie does not need to foreshadow his later sins with every scene.  Michael seems to exist in the moment, and at the peak of his fame, he is depicted as a near-saint who yearns for a lost childhood and a father figure that is anyone other than his real father Joseph (Domingo).  There is naturally plenty of music and dancing, and Michael Jackson was indeed a superstar and a trail blazer as far as music is concerned.  Admitting that in no way means that his later actions are condoned or acceptable.  

Jafaar Jackson (Michael's real-life nephew) captures the spirit of Michael Jackson and has the moves.  He does what he can, but the movie itself only goes skin deep in its depiction of him.  There isn't a lot of depth here and it feels like a standard musical biopic.  It is meh extended out to a little over two hours of running time, even with Domingo relishing his role as the antagonistic Joseph.  The other Jackson brothers exist only to support Michael and don't have any personalities or traits of their own.  This movie is all about Michael Jackson and everyone else is relegated to the background.  Janet Jackson, who of course created her own path on the way to the Rock and Roll Hall of Fame, doesn't even exist in Michael.  Were there legal wranglings or did she just not want to be associated with the film?  I'm reminded of 2023's The Iron Claw about the Von Erich wrestling family which left out an entire child who himself committed suicide under the spotlight of being a member of the famous clan.  

Michael's reviews have been ugly, but the movie isn't as bad as those notices.  It only tells part of the story and not very insightfully.   It sees much but doesn't see through.  Will the next chapter treat its subject the same way?  Only time will tell. 

The Morning Show (2019-present) * * *

 

Starring:  Jennifer Aniston, Reese Witherspoon, Steve Carell, Mark Duplass, Billy Crudup, Gugu Mbatha-Raw, Julianna Margulies, Jack Davenport, Greta Lee, Marion Cotillard, Jeremy Irons, Karen Pittman, Desean K. Terry, Nestor Carbonell, Jon Hamm    

The Morning Show is probably as accurate a depiction of "behind the scenes" of a network morning show as Shrinking is about psychiatry.  It's a soap opera and despite its unevenness at times, it works and maintains interest even when its plot developments make you scratch your head.  The show should be called, "Fuck you.  I quit.  Welcome back," Translated:  I lost count of how many times one character says "Fuck you" to another (usually a superior).  The character quits and then through contrived circumstances winds up welcomed back to the show with open arms.   Yes, it's silly but it's guilty fun.

I won't encapsulate all of the characters and subplots for the four seasons of Apple TV's flagship show.  In the pilot episode, UBA's The Morning Show is rocked by scandal.  Co-anchor Mitch Kessler (Carell) is fired in the wake of sexual assault and harassment claims by several female staffers.  His co-star Alex Levy (Aniston) is devastated by the news and at first distances herself from Mitch but soon reconciles with him amidst the scandal.  It turns out they slept together once or twice and how much did the producers and network know about Mitch's behavior?  A replacement is needed, and one is found in Bradley Jackson (Witherspoon), a West Virginia on-air reporter who goes viral after a confrontation with a protestor in the area.  She at first appears on The Morning Show as a guest, but Alex then paints the network into a corner during contract negotiations by publicly announcing Bradley as Mitch's successor.  Gasp.  

Bradley doesn't know if she even wants the job, but network news President Cory Ellison (Crudup) likes her, and likely even loves her, so he lets it ride.  Crudup's performance is the best part of The Morning Show.  Yes, he's a confident schemer who is always playing an angle, but the subplots involving his unrequited love for Bradley and how he handles his dying mother bring depth to a character whom we think we have nailed down.  The people in The Morning Show don't realize they are part of a daytime drama.  Over four seasons, these people have endured so much drama that they should be treated for PTSD.  Perhaps that will be part of the fifth season.  

Faces of Death (2026) * * *

 

Directed by:  Daniel Goldhaber

Starring:  Barbie Ferreira, Dacre Montgomery, Jermaine Fowler, Josie Totah, Aaron Holliday, Charli XCX

I'm dating myself but I recall combing video stores with friends looking for videos to rent and Faces of Death sat on the shelf, waiting for someone to rent it and see what the fuss was about.  For those unfamiliar, Faces of Death (and its two sequels) was a pseudo-documentary which recreated (and in some cases used actual footage) horrific deaths such as a SWAT team opening fire on an armed man, a monkey bludgeoned to death and then having its brains eaten, and other assorted pleasantries.  All hosted by "Doctor" Francis B. Gross (get it?) who narrates the affair with monotone detachment.  Dr. Gross is played by actor Michael Carr, who assures us all he's as horrified and puzzled as the rest of us.  The box on the videotape promised that Faces of Death was "banned in 66 countries" but obviously not the United States. 

The 2026 movie isn't based on Faces of Death directly, but its serial killer uses the killings in the VHS video as inspiration for his crimes.  The elevator pitch for Faces of Death could be Seven meets Untraceable (an underrated 2008 Diane Lane film) in which its killer posts grisly murders that mimic the crimes on Faces of Death and gets way too many likes from a supposedly civilized society.   Our hero is Margot (Ferreira), who works at a TikTok-like service reviewing posts and determining whether they should be tagged or deleted per its standards.  She underwent recent trauma in which her sister was killed by a moving train while both were posting a video.  Margot sees videos of a man being executed in the electric chair and another having his head bashed in by mannequins.   Surely, these are fake, right?  But they are disturbing enough for Margot to research them and then realizes they are indeed recreations of scenes from Faces of Death.  Her roommate just so happens to have a VCR and a copy of the movie for her to discover.  

The videos are courtesy of Arthur Spevak (Montgomery), a John Doe-like serial killer who kills not just for enjoyment but to spread a message about society's sickness as if he isn't contributing to it.  Montgomery is an effectively creepy killer while Ferreira gives us a wounded, but feisty protagonist who wants to stop the killings.  I didn't know what to expect from Faces of Death and on some level, I was pleasantly surprised by its slick production values and its simple story which focuses on the strengths of the genre.  And in some weird way, it harkens back to the days when going to Blockbuster or West Coast Video was an adventure in itself.  It was good to see Dr. Francis B. Gross again.