Eternity (2025) * * *

 

Directed by:  David Freyne

Starring:  Miles Teller, Elizabeth Olsen, Callum Turner, Da'Vine Joy Randolph, Olga Merediz, John Early

The afterlife of Eternity is depressing if you think about it, but Eternity exists in the emotion of the moment and as a romantic comedy of sorts.  Thank goodness the filmmakers decided to give Eternity a lighter tone because this stuff could get heavy.  In Eternity, a recently departed person arrives at a way station and has seven days to choose how he or she would like to spend eternity.  The place operates like a bazaar in which salespeople are pitching their eternity packages (Studio 54, suburbia, etc.)  Afterlife Coordinators are assigned to help them acclimate to the process and the people stay in a nice hotel room while deciding their fate.  

The catch is:  You can only choose one and you can't change your mind.  This becomes a bigger issue for Joan (Olsen) who arrives days after the death of her husband of 65 years, Larry (Teller), and finds her first husband Luke (who died in the Korean War) has been waiting for Joan to arrive so he could spend forever with her.  Does Joan choose Larry, with whom she had built a happy life and family, or Luke, who represents what could have been?  Not an easy decision, and the fact that Larry and Luke are both good people makes it harder for her.  She could always choose an afterlife without either person, but we know that isn't in the cards.

Joan's dilemma is the hook for Eternity, and it helps move it along.  Teller, Olsen, and Turner all play kind, likable people who understandably want what's best for themselves.  After all, we're talking forever and that's a mighty long time.  Luke and Larry know what they want.  Joan is more hesitant, and the pressure is unduly placed on the poor woman.  Even if one chooses with certainty, they are unable to opt out of their choice if they grow bored with the scenario after a few years.  They can try to escape their fate, but then they are tracked down by the afterlife police and tossed into "the void", which I guess is a version of hell.  Then again, having to choose only one eternity sounds like hell in and of itself.  I told you this stuff could get sad, but Eternity walks the tightrope between comedy and tearjerking very well.  Some people might have an issue with some of the romantic comedy aspects of Eternity, but to me it's better to laugh so you may not cry. 

Mr. Majestyk (1974) * * *

 

Directed by:  Richard Fleischer

Starring:  Charles Bronson, Al Lettieri, Lee Purcell, Paul Koslo, Linda Cristal

Vince Majestyk (Bronson) is a Colorado farmer who only wants to have his melons picked and make a living.  One morning, he finds himself in the middle of more controversy than he's used to.  Normally, he picks a group of hard-working Mexicans to pick his crop, but that morning he finds a troublemaker (Koslo) replaced his crew with an all-white crew.  Vince wants the group he picked and soon beats the hell out of the goon and is booked on assault charges.  He's a progressive kind of guy.  

That would be enough for one movie, but while Vince is being transported to jail, he runs afoul of a mobster (Lettieri) who is on the same bus.  The mobster's cronies shoot up the bus in an attempt to free him, but Vince takes him off the bus to safety.  The mobster strikes a deal with Vince to free him, which Vince reluctantly accepts because he doesn't trust him.  He instinctively believes the mobster will have him killed, so he makes a deal with the local DA to turn in the mobster.  Got that?  It'll all be on the quiz. 

Mr. Majestyk isn't about plot anyway.  It is a showcase for Charles Bronson's unique brand of violence and sly humor.  Mr. Majestyk maybe contain the most one-liners of Bronson's career.  He's having fun here and that makes a traditional action movie more entertaining.  Mr. Majestyk isn't intended to raise the genre to any new heights.  It's full of action and it works.  Sometimes that's all that is needed.